In this project researchers in architectonic visualization analyzed the material i.e. restauration, presentation and evaluation provided by other members of Topoi research group (C-3-1) Ctesiphon, in order to build a set of visual architectonic components, i.e. virtually photographed virtual models as the base for a filmic representation of Ctesiphon under the perspective of architecture.
The doctoral thesis assesses the economic development of ancient Bithynia situated in the North West territory of Asia Minor during the Hellenistic, Roman and Early Byzantine periods. The study draws for the most part on published data, enriched only modestly by research in the field. The main contribution of the work lies in an elaboration, streamlining, analysis and presentation of already known information.
In this research project, Daniel Werning investigated the diagrammatic representation of the Ancient Egyptian underworld as attested in the Book of Caverns, an Egyptian Netherworld Book from the 13th century BCE.
Islands have a distinct “sense of place”: studies of present-day island communities indicate that their perceived physical containment, which is felt particularly on small islands, results in strong place identification or in an “island identity”. As an archaeologist, Helen Dawson is interested in finding evidence for such place-identification in the past. The smaller islands surrounding Sicily, with their rich archaeological record, provided ideal case studies to test these ideas – from their initial colonisation during the Neolithic to their becoming integrated in wider trading and inter-cultural networks during the Bronze Age (ca. 5500-900 BCE).
The subject of this Ph.D. project is the stucco decoration from the city of Ctesiphon, which is regarded as an important link between antiquity and early Islam. The main research objective is the reconstruction of the important stages of the objects biography by means of conservation and archaeometric analyses.
The project examines the formation of visualisations of Rome and its monumentality throughout the 19th century in terms of their systematic, genre-specific and media-historical development. There are various questions Sylva van der Heyden attempts to answer in her dissertation: What are the different forms of visualisation that gave an impression of Rome and its greatness? How were these visualisations noticed and used? Does the observer need to experience the whole city – as in painted panoramas and city models – or do selected monuments and views create the monumentality of Rome as well?
The Forum — Spatial Data Analysis is an inter-area research group that deals with the documentation and analysis of spatial data gathered from documentation, landscape analyses and reconstructions. Besides the actual work of data collection in archaeology and cultural heritage in connection with investigations of geo-physics, soil science, pollen analysis, and remote sensing, […]
The original subject of this research project was the proto-national conception of Italy that developed in the 15th and 16th century through the interaction of historiographical, geographical and literary media. Contrary to the first idea to cover the whole period, the project was finally built around the “Italia illustrata” of Flavio Biondo (ca. 1450), a detailed historiographical and geographical description of Italy in which the author struggles with a huge number of information cues, such as toponyms (place names, points-of-interest), landmarks, streets, distances, places, rivers, walls, historic sites that are foremost based on ancient authors such as Strabo, Pliny or Livy.
This project has investigated spaces of action in ancient Greek and Roman fictional art, both in literature and in visual representations. Space found as a place of imagined action contributes both to fictionalization and to the construction of how space is perceived and presented in many ways, ranging from almost complete disappearance to personalized presence.
This research project analyses connections between illuminated manuscripts and real, pictorial, imagined and metaphorical spaces. These connections include pictorial construction and visual perception of space in book illumination, the book itself as a spatial construct, and the way in which books as objects determine the perception of their surroundings, influencing the actions of those who handle and employ them.